An Research of Deceptiveness in the Decameron

 An Evaluation of Deception in the Decameron Research Paper

Inside the Decameron, Boccaccio uses tales of lies to capture the merchant culture of speedy wit and cleverness, which in turn defies Christian morality and transcends the traditional social classes of the ancient era. In fact , one's achievement at deception is often portrayed as a kind of intelligence. Tricksters are possibly rewarded or face simply no significant consequence for their activities, whereas all their victims happen to be portrayed because gullible and weak.

In the opening account of San Ciappelletto, Boccaccio presents a man driven simply by complete wickedness who is " perhaps the worst man that ever was born” (Boccaccio 26). He lies, secrets and cheats, steals and commits virtually every sin in the Bible several times over. Yet, irrespective of his life of say corruption, Ciappelletto is memorialized as a great and " holy man” who existed a sincere life (Boccaccio 34). Having succeeded in trickery throughout his career as a legal professional, Ciappelletto will save his best ruse for his deathbed confession when he dupes a friar and is also venerated like a saint. Thus Ciappelletyo is usually rewarded intended for his deception. He works in both preserving the memory of himself after death, even so false this memory may be, and resulting in the ultimate mockery of the chapel, which this individual so deeply reviled during his existence. Here, Boccaccio shows the ease of deception through faith and religion. Not many people in those days would challenge a person's deathbed confession to a man of God, or perhaps for that matter the friar's re-telling of Ciappelleto's story. Ultimately, because of his wit, Ciappelletto dies a satisfied guy who escapes any earthly consequence intended for his deceitful ways.

In the story of Andreuccio, deception takes a slightly different contact form, yet that still contributes to a positive outcome. While Andreuccio is the best deceiver through this story, he's not portrayed as such at the start. Andreuccio is definitely described as a man unfamiliar with the perils of Naples who " had hardly ever been abroad before” (Boccaccio 101). Boccaccio falsely potential clients...

Cited: Boccaccio, Giovanni. The Decameron. Wordsworth Editions Limited, 2005. Print out.


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